It was by chance, not design, that Muriel Spark went to dwell in Tuscany. Nothing in her past suggested she was the kind of person who would embrace life in the countryside. Born in Edinburgh, Scotland, in 1918, she had lived mostly in big cities—London, New York, Rome—until she settled in the rambling, dilapidated, 14th-century rectory 15 or so kilometres from Arezzo owned by her friend, the artist and sculptor Penelope Jardine. In the beginning, Spark flitted between her base in Rome, a palatial palazzo, and the Val di Chiana. In time, however, she discovered that she preferred living among vineyards and olive groves than in clamorous streets clogged with traffic. Most importantly, it was a place that was conducive to work, where there were few interruptions and demands on her time could be managed.