Family matters
LIGHT MODE
DARK MODE
Get 1 year from 27.50 €

Digital and paper subscriptions available worldwide

Subscribe now

Family matters

bookmark
Thu 16 Oct 2008 12:00 AM

…Count
Nicola of Pitigliano [Orsini] had sexually
assaulted his own daughter-in-law, wife of the
Count’s son, Alessandro … and the family of the woman were planning to go to
Pitigliano and take her back home. Moreover, Count Nicola just had a son, after
three daughters, by his Jewish lover and has made a great feast of it, which
was a big blow to Alessandro and his mother … (Archivio di Stato di Firenze, Mediceo
del Principato 1872 – February 1560)

 

 

Federico Barbolani da Montauto, then governor of Siena, sent this letter
to the Florentine court. At the time of the missive,
Siena had been under Florentine control for five years, annexed in 1555 after a
long and devastating war that left many scars on the urban and rural
populations. The Sienese had been extremely recalcitrant in
accepting Cosimo I de’ Medici’s rule. Exacerbating the situation, Spanish
(pro-Florence) and French (pro-Siena) troops were stationed in and around the
walls of Siena. Not surprisingly, the Duke wanted a daily update, particularly
information about dissent or social unrest.

 

Barbolani da Montauto’s charge to govern Siena was,
thus, a challenging one. Yet as this passage indicates, one family in
particular added to the governor’s burdensome task.

 

Pitigliano is in the Maremma territory, on the
southeastern borders of the ancient Sienese state, close to the former papal
territories. The Orsini family had ruled over this town since the thirteenth
century. Count Nicola, who also served as high officer in the Florentine army,
was a notoriously treacherous and violent man.

 

The count had married Livia in 1533, and
Alessandro was their son. Marriages, especially among the nobility, were
usually for economic, social and political benefit, but there were unspoken
rules of behavior. Although noblemen’s relationships with servants or
concubines were condoned, flaunting such a relationship, as the feast to
celebrate his illegitimate son’s birth would suggest Nicola did, was not.
(Their wives, on the other hand, risked serious consequences should they be
caught with their lovers).

 

Moreover, religious mores of the time precluded
Nicola’s relationship with a non-Christian. Nicola’s lover was probably a
former servant of the Orsini family, and most likely, she was a member of the
vast Jewish community that populated Pitigliano in the sixteenth century.

 

As governor, Barbolani da Montauto was faced with
two serious issues. He had to address Count Nicola’s crime: if proven guilty in
raping his daughter-in-law, the count could be condemned to death or to the
galleys, according to a particularly severe law, issued in December 1558,
against violent crimes, especially those of a sexual nature. He also had to
address Nicola’s defiance of religious mores although Nicola claimed publicly
that she had renounced her faith and had become a Christian).

 

Still other laws affected this family. As son and
husband, Alessandro had the burden of defending the honor of two women, his
mother and his wife, but he was legally under his father’s power.

 

During the Middle Ages and Renaissance, women and
children were under the potestas (legally speaking, the authority) of
their father (or their brother, if the father was dead); and married women were
under the potestas of their husband.

 

The children, whether male or female, were under
the potestas of the father until his death. In a custom that went back
to ancient Roman law, sons and daughters were not free from the father’s potestas not even when they became of age, usually at 25 years. It took a legal act, emancipatio,
to make a child, even an adult child, legally and economically independent from
its father.

 

For Alessandro’s wife, the potestas was a
benefit. Her family was planning to go to Pitigliano to rescue her, thus honoring
their duty to protect and defend a family member.

 

As for Alessandro? We learn in a report from the
Venetian ambassador, where Nicola is described as a despicable man, that
Alessandro asked Cosimo I to help assassinate his father.

 

When Nicola learned of this plot and of
Alessandro’s intentions to take over Pitigliano, he immediately imprisoned his
son.

 

 

Related articles

ART + CULTURE

Science sisters: Artemisia visits the National Institute of Optics

INO Director Raffaella Fontana tells us about the conservation of Artemisia's Allegory of Inclination, using 3D digital technology.

ART + CULTURE

Honoring heroes of the past

Learn the backstory of "Heroes, a True Story" based on courageous real-life events in Fiesole during the Second World War.

ART + CULTURE

Alfredo Pirri at Florence Opera House

Take a Sunday morning tour of Alfredo Pirri's art installation on the roof of Florence Opera House

LIGHT MODE
DARK MODE