A cautionary tale
Get 1 year from 27.50 €

Digital and paper subscriptions available worldwide

Subscribe now

A cautionary tale

Be good. Mind your parents. Appreciate the paradise that your home is. Or else you'll end up like the miserable souls in the netherworld. With Dante's Inferno as her guide, Virginia Jewiss has written a cautionary tale for children.   Although there's no missing the message of

Thu 26 Mar 2009 1:00 AM

Be good. Mind your parents. Appreciate the paradise that your home is. Or else you’ll end up like the miserable souls in the netherworld. With Dante’s Inferno as her guide, Virginia Jewiss has written a cautionary tale for children.


Although there’s no missing the message of Dante’s Journey: An Infernal Adventure, a recent release by Mandragora (available also in Italian), the adult who shares this book with a young reader might hope for Virgil to guide them both through the well-turned rhymed couplets and vivid illustrations, for it is not entirely clear what Cristiana Castenetto had in mind in suggesting the idea of the book: Should it be used to introduce one of the masterworks of Western literature or a facet of Christian (albeit medieval) theology?


To be sure, the book is expertly executed. Jewiss turns Dante’s moment of crisis into a neat and familiar frame: ‘young Dante,’ frustrated by his parents’ rules and tired of being scolded, decides, in the middle of the night to run away from home. He takes his doll, Virgil, and it’s a good thing he does because he’s soon lost in a dark wood. Instead of suggesting they turn around, the wise puppet lets him learn the indelible lesson of a visit to a very scary (and unnamed) place.


After young Dante and his ‘toy Virgil’ encounter a demon sentinel, who reluctantly lets the two pass despite the fact that the young man is living and admonishes him to ‘learn from the wicked trapped here below,’ his little guide shows him, in turn, a gluttonous three-headed pig-monster, legions of the greedy pushing huge boulders, the wrathful dissolving eternally into smoke, the violent stewing in a red-hot stream, the fraudulent transformed to tangles of snakelike creatures, and those who were just plain mean encased in ice. A glimpse at his reflection in the frozen depths clinches it: young Dante wants to go home to ‘be kind and learn to forgive.’


Jewiss, who teaches at the Yale Humanities Center in Rome, knows her Dante (she also translated Roberto Saviano’s Gomorrah into English) and effectively evokes both sin and damnation in the sprite verse. Aline Cantono di Ceva’s illustrations, with their references to Dorè (to such cunning details such as young Dante’s night cap and sprays of laurel leaves at the Virgil doll’s temples), bring both words and concepts to life.


As a child’s version of ‘old Dante’s’ work, Dante’s Journey will delight those adults in the know for its clever echoes in text and picture, from the warning etched to the mouth of the cave to the stars getting the ‘last word.’ It is disappointing, however, that no information about the work on which it is based-and the particular world view that it represents-appears anywhere in the volume. One might thus assume from the omission that Castenetto’s idea was less about literature and more about theology.


A Mandragora book always has a high production value, and this is no exception, from the quality of the colors to the quality of the poetry, and so it is an attractive book that someone might pick up simply on the appeal of its cover, ‘portrait’ format, and pint-sized presentation of a major work of literature. It is not, however, a book to be given casually to any child (however bright or bratty) or left to the babysitter to read to the kids. The youngster who loves monsters and suspense might not find young Dante’s journey a fun kind of scary. The child who will delight in words like ‘irascible’ and ‘befuddled’ and groove to the beat of the hendecasyllabic might brood about all that goes with ‘infernal.’ Nor is it clear for what age group the book is intended. The kid old enough, for example, to entertain a discussion about how bad behavior not only reverberates in one’s immediate world but may continue to punish in the next might not be lured to read a picture book. And so, a little guidance for the buyer or adult reader would have been in order, for the adult who introduces Dante’s Journey must be prepared to broach some tough subjects.



DANTE’S JOURNEY: AN INFERNAL ADVENTURE  •  Il viaggio di Dante: Un’avventura infernale

Virginia Jewiss, text   Aline Cantono di Ceva, illustrations

Cristiana Castenetto, concept   Mandragora, 2008 – 10 euro

Related articles


Viareggio Carnevale celebrates 150 years

Viareggio Carnevale is a multimillion euro enterprise. We go behind the scenes to see the floats in the making


Science sisters: Artemisia visits the National Institute of Optics

INO Director Raffaella Fontana tells us about the conservation of Artemisia's Allegory of Inclination, using 3D digital technology.


Honoring heroes of the past

Learn the backstory of "Heroes, a True Story" based on courageous real-life events in Fiesole during the Second World War.