Are we all photographers?

Are we all photographers?

In the age of digital photography and iPhones, when each of us can snap in one day perhaps as many photos as were taken in the whole of the 1800s, a photographer such as George Tatge is a rare find. An American expat in Italy, Tatge uses a wooden camera

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Thu 27 Sep 2012 12:00 AM

In the age of digital photography and iPhones, when each of us can snap in one day
perhaps as many photos as were taken in the whole of the 1800s, a photographer
such as George Tatge is a rare find. An American expat in Italy, Tatge uses a
wooden camera that can hold only one frame at a time, and he can spend up to
three hours taking one shot. He uses a historic process, allowing the light
that passes through his camera to touch silver on a negative, and he then
creates a print by re-exposing it on paper. This is most certainly ‘art’ and he
is an ‘artisan’. But as telephones become cameras and desktop printers morph
into mini-printing labs, producing ever faster, clearer shots, don’t we all
consider ourselves photographers of a kind? It has never been so easy to
capture the world around us and to engage others through the power of images as
we share our lives and memories with the world through Facebook and Instagram.
Although the ‘handmade’ techniques that Tatge uses might be heading out the
window, they have not been abandoned by all. Filmmaker David Battistella, who
moved to Florence from Canada in 2011, is keen to revive the age-old tradition
in our fast-paced world. Inspired by the botteghe (artisan workshops) of the Renaissance, he has established a workshop to
promote such ‘made-by-hand’ photography and filmmaking. The Bottega
Battistella’s first project is a 25-minute documentary on the life of Tatge,
Light and Silver, which will screen at the Odeon cinema on the October 10 at
3pm. For details, see article.

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