The Florentine May 2022 - Issue 289
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Terre degli Uffizi: eight new exhibitions
Uffizi: Italy’s most popular museum in 2021
Uffizi: Koen Vanmechelen’s Seduction
Historic map room reopens at the Uffizi
Uffizi: Lo Sfregio
Friends of the Uffizi donates a Dante-centric painting
The Uffizi reopens
Changes and discoveries at the Uffizi
On Being Present virtual exhibition: Blackness at the Uffizi
British artist Endless donates a self-portrait to the Uffizi
Marco Lodola nativity in the Uffizi windows
Uffizi: three more paintings attributed to Cristofano dell’Altissimo
Autumn 2020 exhibitions at the Uffizi and Palazzo Pitti
Isozaki Loggia Uffizi exit financed by Italian Government
Uffizi masterpieces tell the story of black culture in Renaissance Europe
St John the Baptist online exhibition at the Uffizi
Uffizi Gallery reopens its doors
Free Uffizi tours from home
Pineider Collection comes to Uffizi
An instant way to visit the Uffizi during quarantine
First Lady’s Foggini comes to the Uffizi
Cultural twinning between the Uffizi and Siena
Uffizi acquires The Expulsion of Hagar
Uffizi now has more places to sit
The Medici and their guards at the Uffizi Gallery
The Colours of Judaism in Italy at the Uffizi Gallery
The Prince’s 100 Lances at the Uffizi Gallery
Cinquecento Rooms open at the Uffizi
16th-century rooms open at the Uffizi
Antony Gormley’s “Essere” at the Uffizi
Special Women Artists: Full Pack
When the World Answered: Florence, Women Artists and the 1966 Flood
Chaplin and Costa: Rediscovering Expat Women Painters in Tuscany
Art by Women in Florence: A Guide through Five Hundred Years
Finding Leonardo. The Case for Recovering ‘The Battle of Anghiari’
